Posts Tagged ‘David Teague’

It is “All In the Family”

Tuesday, August 31st, 2010 by Dave Teague

Many of the projects that HACI has contributed to have required a diverse collection of light fixtures. It can be important to the designers and owners of these projects to have a variety of different types of lights fixtures for different situations, such as posts, sconces, pendants, pedestals etc., but they generally require that the different configurations all are centered around a common theme or design element. We call these groupings light fixture “families.” While HACI has designed and made several “one-off” light fixtures which are not part of an extended family of fixtures, it is also common for HACI to develop a family of fixtures for a specific project.

Saks Department Store - Bronze Wall Bracket Lantern (LF083)

Saks Department Store - Bronze Wall Bracket Lantern (LF083)

Just as in the world of people, a family can consist of only two members. For example, a number of years ago, HACI was consistently making light fixtures for Saks Fifth Avenue. Whenever a new store was being built, there was a need for at least two wall mounted light fixtures and a pendant fixture. HACI produced both types of these fixtures for the project and thus the family for that project had only two members.

There have been other projects which required a much more extended family. A good example of this type of project is the Grand America Hotel in Salt Lake City, UT. HACI designed and built the bronze exterior light fixtures for this project. The fixture types included three different scales of lantern heads with chandelier, pedestal, post, and wall bracket assemblies.

5 of the Different Variations of Bronze Light Fixtures Found at the Grand America Hotel in Salt Lake City, Utah

5 of the Different Variations of Bronze Light Fixtures Found at the Grand America Hotel in Salt Lake City, Utah

Residential projects are often enhanced by treating the light fixtures as families as well. One residence, in particular, which is located in Connecticut, utilized a family of fixtures of three different scales and five different configurations. The fixtures’ design helped to unify the various exterior spaces of which the project was comprised.

Careful consideration of a few variables can help in the development of a light fixture family:

  • Purpose: What is the purpose of the light fixture in this location? If the purpose is significantly different from the purpose in a different location, perhaps a new family member is warranted.
  • Scale: What other elements of the project are around this light fixture? Will a fixture at the same size in this location be drowned out against the background, or will it be too large? Perhaps a new scale of fixture is required in this location.
  • Detail: Will a fixture is this location be required to make more (or less) of a statement than a fixture in another location? Is this location more prominent and thus would require a fixture with more detail?
  • Location: Does the location of the fixture demand a new family member?

Because Historical Arts’ capabilities include everything from design through pattern making, manufacturing and finishing all under one roof, it is uniquely positioned to help in the consideration of all of these factors. HACI stands ready to offer any aid necessary to develop fixtures and fixture families from projects of any size. Some additional fixture families from HACI’s past are highlighted below.

  • Ritz Carlton Kapalua, Maui – (LF026, LF027, LF028, LF029, LF030, LF031)
  • Private Residence – (LF036, LF037, LF038)
Los Angeles Central Library, Los Angeles, CA - Bronze Light Fixtures

Los Angeles Central Library, Los Angeles, CA - Bronze Light Fixtures

  • Los Angeles Central Library – (LF040 – LF61)
  • Private Residence (and Hotels) – (LF064, LF065, LF131, LF132, LF133, LF134, LF135)
  • Private Residence – (LF084, LF085, LF086, LF086a, LF154)
  • Various Projects – (LF001, LF107, LF107a, LF107b, LF107c)
  • Co-op Lobby – (LF112, LF113, LF114)
  • Private Residence (LF151, LF152, LF153)
  • Private Residence (LF161, LF162, LF163, LF164)

How Much Will It Weigh?

Friday, May 21st, 2010 by Dave Teague
How Much Will It Weigh-Bronze Ingot

Bronze Ingot

Aluminum Ingot

Aluminum Ingot

The job of an estimator can be described with two simple questions: “How much will it cost?” and “How long will it take?”.  Today I would like to break down one part of the answer to the first question.  One significant factor to the question “How much will it cost?” is another question: “How much will it weigh?”  A close approximation of the final weight of any piece of ornamental metalwork is a vital part of its price.  The weight of any piece of metalwork can be determined by multiplying its volume by a constant.  Different constants are used for each different type of metal.  HACI works with Aluminum, Bronze and Cast Iron.  Therefore HACI’s estimator uses constants for each of these materials in the weight calculations during the estimating process.

The Formula.

The formula for determining the weight of any piece of metal work is Weight=Volume*Constant (W=V*C).  Consequently in order to determine the weight of any article, the two elements of the right side of that equation must be known.  Choosing which constant to use is the easy part because it is directly related to the choice of material.  For example, if the final product is to be made from aluminum, then the constant for aluminum (.101 lbs per cubic inch) is used.  Accordingly, if the product is to be bronze, then the bronze constant (.318 lbs per cubic inch) is used. And, necessarily, the choice of Cast Iron requires the final constant be used as the basis for the calculation be used (Cast Iron’s constant is .289 lbs per cubic inch).  Note, while it is true that the different alloys of these materials have different constants associated with each of them, the differences are slight and for the purposes of an estimate of a product’s final weight, the variations fall under the category of “the margin of error” and are inconsequential.  As a side note that people usually find interesting, imagine a cubic foot of material sitting in front of you (that is 12″ wide x 12″ tall x 12″ deep).  That cube has 12×12x12 cubic inches of material within it or 1728 cubic inches.  A cube that size made from Aluminum, Bronze or Cast Iron would weigh in at 174.5 lbs, 549.5 lbs, and 499 lbs respectively.

An Example.

HACIs GR001

HACI's GR001

Notice that the constants above are described in terms of pounds per cubic inch of volume.  One does not have to use the cubic inch as the standard of volume in order to determine the weight of a part.  You could, for example, just as easily use another unit such as the weight per cubic centimeter. HACI’s practice, however, is to use pounds per cubic inch.  Therefore in order to finish the calculation, the part’s volume, in cubic inches, must be determined.  Sometimes calculating the volume is pretty straight forward, other times, though, calculating the volume of a part requires some creative thinking.  Let’s use an air return wall grille as an example of a part whose weight needs to be determined.  Let’s say the grille is 32″ wide x 10″ tall and is to have a thickness of 5/16″ of an inch.  If the part was solid, its volume would be its width (32″) times its height (10″) times its thickness (5/16″) or 100 cubic inches.  The grille, however, is not solid, but rather, it is perforated with a nice design of arches interspersed with a star pattern.  The estimator determines that the percentage of open space in the design is 65%.  This means that the percentage of the grille’s surface that is solid is 35%.  Therefore, the object’s volume is the its (solid) volume times the percent of the object that is solid, or in the case of our example: 100 cubic inches x 35% solid or 35 cubic inches.  The final step, then, in calculating the grille’s weight is multiplying its volume by the constant for the material being used.  In our example, the grille would weigh 11.13 lbs in bronze (35 cubic inches x .318 lbs/cu.in.), or 3.535 lbs in aluminum or 10.115 lbs in cast iron.

Other, more complicated shapes.

HACIs LF090 - Post Light - Merchants Gate, Central Park, New York

HACI's LF090 - Post Light - Merchant's Gate, Central Park, New York

As you can see above, it is not difficult to determine the weight of a regular, rectangular object such as a grille.  But how is the weight of a more complicated object such as a light fixture determined?  Interestingly, the process is really not that more difficult, but it is likely more time consuming.  The only difference in calculating a light fixture’s weight or a grille’s weight is how you start.  In order to find the weight of a more complicated object, break it down into a number of simpler elements, find their weights individually, and then sum up all of those weights to end up with your final result.  This same component breakdown process can be applied to any object, it just takes some time and occasionally some creative thinking to decide on how the overall part should be broken up.

But how much will it weigh in a different material?

Once an object’s weight has been calculated in any one of the three materials, its weight in the other two materials can easily be figured by multiplying the calculated weight by a conversion factor.  For example, a bronze part with a calculated weight of 23.5 lbs would weigh 7.46 lbs in aluminum (bronze weight x conversion factor for bronze to aluminum: .3176) and 21.35 lbs in cast iron (bronze weight  x conversion factor for bronze to cast iron: .9088).  The conversion factor for each material is: the new material’s weight constant divided by the base material’s weight constant.  So for aluminum to bronze, the conversion factor would be .318/.101 or 3.1485.  The table below may be of use to you in your calculations for weights and conversions.

Weight Constants and Conversion Factors
Weight constant Convert From
lbs/Cu.In. Aluminum Bronze Cast Iron
Convert to: Aluminum 0.101 x 0.3176 0.3495
Bronze 0.318 3.1485 x 1.1003
Cast Iron 0.289 2.8614 0.9088 x

HACI’s Pattern Storage

Tuesday, April 13th, 2010 by Dave Teague
HACI'sPatternStorage-1

Pattern for a finial - Made for the Fox California Theatre project, San Jose, California (click image for completed project).

One of the outcomes of building the products that HACI has is a large archive of the patterns which were used by our foundry to cast the parts.  At the time of this writing HACI’s pattern database shows a total of 4194 patterns.  These patterns were used to make the light fixtures, railings, grilles, gates, and canopies that are featured on our website as well as all of the other products that we have previously made.  The number of patterns in our database continues to grow as more work comes into our shop.

HACI’s pattern storage consists of two main components, the physical storage of the patterns and the database (or computerized storage) that contains all the information about them.

Physical Storage

The patterns themselves are stored in our warehouse in large wooden boxes.  Most of the crates measure 4′ wide x 8′ long x 2′ tall.  This size is generally able to accommodate the various sizes of patterns that HACI might use.  (There are times, however, when larger sized crates must be made).  Each of the boxes has a number assigned to it and each of the patterns within the crate has an identifier that is related to its parent box.  In this way, patterns can be stored properly after use without the need to look up their correct location in the database. Depending on the size and type of the patterns stored in each box, there may be as few as fourteen patterns in the box or maybe several dozen.  Care is taken in placing patterns in the crates, often wrapping them in foam, to protect them from the damaging effects of pressing up against other patterns.

Some patterns are relatively simple in that they are only made up of one piece.  An example of this type of pattern would be a pattern on a board that makes a decorative kickplate for a door.  Other patterns are very complicated and are made up of several pieces.  The additional pieces could be coreboxes (used to make the part hollow), follow boards, molds and other loose pieces.  The photo of the finial pattern within this article is an example of a pattern with multiple pieces.  It is important for HACI to keep all of the parts of a pattern together in its storage facility.  The crate method of storage for patterns allows the flexibility necessary to accommodate the variations possible when storing patterns.

Computerized Storage

Print out from HACI's pattern storage database.

Print out from HACI's pattern storage database.

As new patterns are made by our pattern shop, and before they are used by our foundry, they are cataloged and photographed for entry into the database.  Information about several attributes of each pattern are recorded in the database.  Items such as size, type of pattern, number of pieces, core boxes, part number, part name, original job and so forth are taken down and become search terms that can be used in the future to find each pattern again when the need arises.  The database is available to the person that is in charge of the physical storage of the patterns as well as to HACI’s project managers and designers.

In addition to its many reporting capabilities, the database allows the user to query the lists of patterns for results of a certain type.  For example, if one of our designers needed to design a new light fixture, and they needed a finial for the top of the fixture, they could query our pattern database to find all finials of a certain size to determine if we already have a pattern that would work for the new fixture.  Utilizing existing patterns in this way HACI can leverage its extensive library of patterns to create new products for its customers at a cost that is less than developing the entire product from scratch.  So the next time HACI is developing a product for your project, perhaps some of the development costs can be saved by making use of some of the patterns currently kept in our pattern storage facility.

HACI'sPatternStorage-2

Partial view of HACI's pattern storage facility.