ZCMI: A Legacy Cast In Iron {GIVEAWAY}

January 16th, 2012 by Robert Baird

DVD Cover

The cast iron facade of Salt Lake City’s historic ZCMI store has symbolized pioneering commerce and economic vitality on Main Street for more than 135 years.  The Zion’s Co-operative Mercantile Institution retail enterprise, founded in 1868, was one of the first department stores in America. The ZCMI store was also the only department store to be owned by a religious organization, namely The Church of Jesus Christ of Latter-day Saints, until it was sold in 1999 to The May Department Stores Company, now known  as Macy’s, Inc.

The ZCMI cast iron facade was the largest of its kind in Utah.  In a 1973 store expansion, this beloved facade was slated for demolition.  Concerned patrons led a call for preservation and insisted it be restored as a downtown landmark.  Restoration architect Steven T. Baird was hired to develop the protocol for this first major cast iron restoration in the country.  Present-day restoration methods and procedures for cast iron architecture are a credit to his tireless efforts.

Continuing the legacy of their father, Steven T. Baird’s sons’ company, Historical Arts & Casting, Inc., was commissioned in 2007 by City Creek Reserve, Inc.,  to preserve this historic landmark as part of the City Creek project, a broad, mixed-use redevelopment of downtown Salt Lake.  The second major restoration of the ZCMI facade was completed in June 2011.

The Documentary, ZCMI: A Legacy Cast In Iron was produced by Robert A. Baird, Vice President of Operations at Historical Arts & Casting, and was beautifully filmed and edited by Steven McCurdy of Creative Light Productions.  It was created with the spirit of tradition that is found in the heart of Historical Arts & Casting, Inc.  It was also a tribute to the tireless efforts and sharp eye of Steven T. Baird, who passed away a month after the premiere of the documentary in Salt Lake City, Utah.  This documentary is dedicated to him.

Purchase price: $20.00 + Shipping and Handling

To purchase contact our staff: info@historicalarts.com

or

1-800-225-1414

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GIVEAWAY!!

We are hosting a giveaway on our Facebook page that will close on Friday, January 20th @ 5:00 pm (MST).  If you would like to enter to win the documentary and a miniature version of the lion head ornament found on the ZCMI city facade go to our Facebook page, like us and make a comment on our posting about the release of the documentary give away.  We will let you know if you have won and we will ship the package directly to you.

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We are also starting a weekly email newsletter.  If you are interested in receiving it please email our marketing team at info@historicalarts.com.

The New Victory Theater – 1995

June 15th, 2011 by admin

The New Victory Theater - New York City, NY - Post Lamp

The New Victory Theater - New York City, NY - Post Lamp


In 1995 the Victory Theater began a new life.  After 95 years of active use on 42nd street in New York City hosting all types of theatrical performances this theater was completely renovated. Originally built by Oscar Hammerstein in 1900, the theater was described in his own words as the ‘perfect parlor theater…a drawing room of the dramatic dedicated to the best in dramatic and lyric art’.  The architect. J. B. McElfatrick designed the building with a beautiful Venetian façade, with an exterior two-story grand entrance staircase rising from the sidewalk.  The building also had ornate high plaster ceilings with gilded angels.  McElfatrick was especially proud of his large cast and wrought iron lamppost positioned at the entrance of the theater.

When it came time to restore the light fixtures the restoration architects signed Historical Arts & Casting to do the work.  Most of the original fixtures were missing and what was not gone was in a serious state of disrepair.  The fixtures had to be completely rebuilt requiring new patterns and tooling.  Over the course of nine months the restoration of the elaborate exterior fixtures was completed, with some of the interior lighting restored as well.  Timed to coincide with the rest of the restoration, the project was ready for the dedication December 11, 1995.

Design Cutsheet – LF095 Post Lamp


Los Angeles Central Library – Los Angeles, CA (1993)

May 18th, 2011 by admin

Los Angeles Central Library - Zodiac Chandelier

Los Angeles Central Library - Zodiac Chandelier

The Los Angeles Central Library was renovated and expanded in the mid 1990’s for the California Library System following arson’s fire. Historical Arts & Casting was selected to restore and replicate over 500 light fixtures including a grand chandelier for the main rotunda.  Many fixtures had to be recreated utilizing historical photographs.  Some unique challenges were encountered with this project including the development of various finishes and the manufacturing of hundred of large hand-blown glass pieces of traditional horn and opal glass.  The design team and shop replicated the traditional finishes of the period. A bigger challenge, the glass, required putting together a team of glass blowers from all over the country and flying them to a hundred year old glass factory in New Jersey.  For five weeks straight, they worked on blowing the 600 pieces of glass required for the project.  They project was beautifully crafted and a tremendous success for the Los Angeles Central Library.

Grand Central Terminal – New York, NY (1992)

May 11th, 2011 by admin
Grand Central Terminal - New York, NY

Grand Central Terminal - New York, NY

When Beyer Blinder Belle was restoring the Grand Central Terminal for the Metro North Railroad in New York City, they turned to Historical Arts & Casting.  They needed assistance with the restoration of the unique chandeliers, which hung in the grand main terminal and waiting rooms.  The project required the removal and restoration of thirteen chandeliers, weighing several thousand pounds each.  There were numerous challenges to the project revolving logistics and working with battling local unions.  The chandeliers were dismantled, cataloged and carefully packaged in the field, then shipped to our Utah facility for restoration.  Further dismantling and cleaning in the shop revealed that the fixtures were originally plated with nickel and gold, which was redone.  Historical Arts & Casting was able to develop and install new uplighting and sound systems for the fixtures, appearing to be original.  Re-installation of the chandeliers required the elaborate staging and rigging to maneuver and relocate the delicate, heavy fixture.  This project was completed on time and within the project budget.

St. George Tabernacle – St. George, Utah (1992)

May 6th, 2011 by admin

Light Fixture - St. George Tabernacle, St. George, Utah

Light Fixtures - St. George Tabernacle, St. George, Utah

The St. George Tabernacle was one of the early architectural treasures in Utah’s pioneer history.  The building was built in the 1860’s and quickly became the center of pioneer life for the small rural community.  With the ability to seat 1200 people, many town and community meetings were held there.  The craftsmanship was exquisite with much of the work being performed by European immigrants. Thought built during a trying time for the new Mormon settlement, the tabernacle had a clock from England and many refinements including six beautiful oil chandeliers.

In 1992 a major restoration took place restoring much of the building and bringing it back to its original configuration.  Historical Arts & Casting recreated the chandeliers, long since removed for more modern lighting, from historic photos.  The replica chandeliers were built to look like the original fixtures with oil wells and glass chimneys.  The fixtures were manufactured in cast aluminum to match historical fixtures from the period.  The tabernacle now stands as ‘the jewel of the desert’, the most beautiful red stone building in the west.

Metal Types & Their Properties

May 3rd, 2011 by Vanessa Pollard

Historical Arts & Casting has recently become a sponsor to the Traditional Building Exhibition Conferences that will take place in 4 cities this year.  Robert Baird and Steve Brown recently got back from Philadelphia, PA where they gave a CEU presentation titled: Architectural Cast Metals: Their Properties, Performance and Preservation.  It was a success and is already on the schedule to be presented at other conferences.

Below you will find some of the information they presented regarding metal types and their properties.

Aluminum:

Aluminum and aluminum alloys are lightweight, non-ferrous metals with good corrosion resistance, ductility, and strength. Aluminum is relatively easy to fabricate by forming, machining, or welding. This metal is a good electrical and thermal conductor. Aluminum is also useful as an alloying element in steel and titanium alloys.  Aluminum alloys are versatile metals with applications in almost every industrial and commercial segment.

Cobalt:

Cobalt and cobalt alloys are non-ferrous magnetic alloys with high strength and toughness, excellent corrosion and oxidation resistance, and high temperature strength. Cobalt can also be magnetized. Cobalt’s properties result in the use of cobalt alloys in jet engine super-alloy components, prosthetic devices, magnets, and cutting tool binders. Cobalt is a useful alloying element in tool, maraging, and other alloy steels.

Copper/Brass/Bronze Alloys:

Copper and copper alloys are non-ferrous metals with excellent electrical and thermal conductivity as well as good corrosion resistance, ductility and strength. Copper alloys are relatively easy to fabricate by forming, casting, or machining. Pure copper is more difficult to weld, cast, or machine. Brass, tin bronze, leaded brass, beryllium copper, and zirconium copper are examples of copper alloys. Copper is useful as an alloying element in aluminum alloys and powder metal based iron alloys.  Copper is a versatile metal with applications in many industrial and commercial segments. Copper’s high electrical conductivity (100% IACS) makes it extremely useful in electrical and electronic applications.

Ferrous/Iron Based:

Ferrous metals and alloys are based on iron. This category includes carbon steels, alloy steels, stainless steels, cast iron, maraging steel, and other specialty iron-based alloys.

Alloy Steel:

Alloy steels are ferrous alloys based on iron, carbon, and high to low levels of alloying elements such as chromium, molybdenum, vanadium, and nickel. Alloy steels include hardenable high alloy steels, high strength low alloy steels, maraging steel, and other specialty steel alloys.  Steel alloys are used in a wide variety of applications in almost every industrial segment. Low alloy steels can be fabricated easily by machining, forming, casting, and welding.

Stainless Steel:

Stainless steels are highly corrosion resistant, ferrous alloys that contain chromium and/or nickel additions. There are three basic types of products: austenitic stainless steels, ferritic and martensitic stainless steels, and specialty stainless steels and iron superalloys.

Austenitic stainless steels (AISI 300 / 200 Series) are highly corrosion resistant, ferrous alloys that contain chromium and nickel or manganese additions. Generally, austenitic stainless steels are more corrosion resistant than ferritic or martensitic stainless steels. Annealed austenitic stainless steels are non-magnetic. Cold working is used to harden austenitic stainless steels because these alloys do not respond to conventional quench and temper hardening processes.

Ferritic and martensitic stainless steels are highly corrosion resistant, ferrous alloys that contain chromium and/or carbon additions. Ferritic stainless steels are soft, easy to form metal alloys. Cold working is used to harden ferritic stainless steels because these alloys do not respond to conventional quench and temper hardening processes. Ferritic stainless steels are formed to fabricate mufflers and other sheet metal components that require good corrosion resistance. Martensitic stainless steels can be hardened by a conventional quench and temper operation. Martensitic stainless steels are used for knife blades, tooling, or other applications that require good corrosion resistance combined with higher hardness and wear resistance.

Specialty stainless steels and iron superalloys are highly corrosion resistant, ferrous alloys containing chromium, nickel, or other alloying additions to provide high strength or heat resistance. Duplex and precipitation hardening stainless steels belong in this category.

Tool Steel:

Tool steels are wear resistant, ferrous alloys based on iron and carbon with high levels of alloying (hardenability and property modifying) elements such as chromium, molybdenum, tungsten, and vanadium. Specific tool steel grades are available for die or cold work, hot work, high speed, and shock resistance applications. Tool steel alloys are used in a wide variety of applications that require wear resistance. They are difficult to fabricate in their hardened form and are usually EDM-machined or ground to achieve the tolerances required for tooling applications. EDM is an acronym for electrical discharge machining; this is a process that can cut small or odd-shaped angles, intricate contours, and cavities in extremely hard steels and exotic metals.

Nickel Alloy:

Nickel and nickel alloys are non-ferrous metals with high strength and toughness, excellent corrosion resistance, and superior elevated temperature properties. Nickel can also be magnetized. Nickel’s properties result in the use of nickel alloys in jet engine super-alloy components, corrosion resistant chemical process equipment (valves, piping, and pumps), magnets and electrical resistance alloys, and heating elements. Nickel is also a useful alloying element in stainless, tool, maraging, and other alloy steels.

Noble/Precious Metals:

Noble and precious metal alloys such as silver, gold, platinum, and palladium alloys are extremely resistant to corrosion and oxidation. Noble and precious metal alloys are used in electrical contacts, electronic connectors, chemical process components, catalysts, jewelry, and other specialized applications.

Non-Ferrous:

Non-ferrous metals and alloys are not based on iron and include alloys of aluminum, copper, titanium, zinc, nickel, cobalt, magnesium, tungsten, molybdenum, precious metals, silver, gold, platinum, palladium, refractory metals, as well as many other metals and alloys.

Magnesium:

Magnesium and magnesium alloys are non-ferrous metals with low density (relatively high strength to weight ratio), good ductility, moderate strength, and good corrosion resistance. Magnesium and magnesium alloys are used in a variety of industries as well as in aircraft, marine, and power tool applications.

Refractory/Reactive:

Refractory and reactive metals include boron (B), tungsten (W), tantalum (Ta), molybdenum (Mo), niobium (Nb) / columbium (Cb), zirconium (Zr), hafnium (Hf), thorium (Th), vanadium (V), chromium (Cr), cobalt (Co), rhenium ( ), and titanium (Ti).

Refractory metals and alloys are metals with melting points above ~1750 C (~ 32000 F).  Refractory metals include tungsten tantalum, molybdenum, niobium, and zirconium. Refractory metals are used in high temperature, structural, electrical, and other specialty applications.

Reactive metals combine readily with oxygen at elevated temperatures to form very stable oxides. Titanium, zirconium, and beryllium are considered reactive metals. Finely divided reactive metals can react explosively with oxygen and are often added to rocket fuels or combustible mixtures. A highly stable oxide film formed on the alloy surface provides protection against further oxidization or corrosion at low to moderate temperatures.  Reactive metals can become embrittled if there is too much interstitial absorption into the lattice of oxygen, hydrogen, and nitrogen.

Rare Earth:

Metals or alloys are based on elements from the rare earth elements group.

Titanium:

Titanium and titanium alloys are non-ferrous metals with excellent corrosion resistance, good fatigue properties, and a high strength-to-weight ratio. Titanium’s properties result in the use of titanium and titanium alloys in aircraft or airframe parts, jet engine super-alloy components, corrosion resistant chemical process equipment (valves, piping, and pumps), prostheses or medical devices, and marine equipment.

White/Low Melting (Tin, Lead):

Lead, tin, and white metals are low melting non-ferrous metals and alloys. Lead and white metal alloys are used as solders, battery electrodes, bearing liners, decorative products, and coatings. They are also used in other specialized applications. Indium, tin, lead, and antimony are used to manufacture semiconductors.

Zinc:

Zinc and zinc alloys are moderately low melting, non-ferrous alloys widely used in the production of die cast components.

Specialty/Other Alloy:

This refers to other unlisted, specialty or proprietary metals or alloy grades. These materials are based on a unique composition or alloy system, use a novel processing technology, or have properties designed for specific applications.

Fava Building – Baltimore, MD (1988)

April 28th, 2011 by admin
Blaustein/Fava Fruit Building - Baltimore MD - Cast Iron Restoration

Blaustein/Fava Fruit Building - Baltimore MD - Cast Iron Restoration

The Fava Building, located in Baltimore’s inner harbor district, was originally built in 1869 and clad with a beautiful cast iron façade. After over 100 years of service, the façade desperately needed to be restored. In the early 1970’s Historical Arts & Casting’s expertise was called into play. After traveling to the project and performing a preliminary assessment, it was determined that a major restoration was needed and not just a ‘cosmetic face lift’. The owner was very concerned about preserving Baltimore’s architectural heritage but due to budgetary constraints, could not proceed with the project at that time. The façade was cataloged, dismantled and placed in storage until 1994. The restoration of this façade was more complex than most because the configuration was changed from a flat front façade to a stepped-back or saw tooth design. In addition to restoring the existing metalwork, Historical Arts & Casting also had to create patterns and tooling for the additional bays and corner conditions. The seamless connection between the restoration of the existing facade and the new material made this a very rewarding project.

Grand Opera House – Wilmington, DE (1986)

April 26th, 2011 by admin

Grand Opera House - Wilmington, DE - Cast Iron Facade Restoration

Grand Opera House - Wilmington, DE - Cast Iron Facade Restoration

On July 1, 1973 a festive parade led by a high school marching band and government leaders kicked off the restoration of the Grand Opera House (GOH) façade that was once the jewel of downtown Wilmington. The GOH searched the country to find architects capable of overseeing their new revitalization project.  They found Baird architects, in Salt Lake City, and signed a contract with GOH to provide their area of cast iron restoration.

The GOH was built and funded as part of the Masonic Temple in 1871. It quickly  became an object of civic pride showcasing Victorian grandeur and architecture. By 1968, after many stages of use, the GOH stood abandoned and neglected in the midst of the city.

Steven Baird,  preservation and cast-iron expert, had worked on a similar building in his native Salt Lake City.  He had refined the techniques of working with cast-iron and was thrilled to be awarded his first major cast-iron restoration project outside of Utah.  The first floor exterior of the restoration was completed for Wilmington’s  bi-centennial celebration in 1976.

Ten years later in 1986, Historical Arts and Casting received a curtain call to finish the restoration and painting of the GOH from the second floor to the roof. The project took two years to complete, restoring this beautiful Victorian theatre to a   place of prominence and culture in this Delaware community.

Customizing Windows & Doors Worldwide

October 5th, 2010 by Richard Baird

Historical Arts and Casting manufactures custom doors and windows. We have developed a line of doors and windows that meet the demanding requirement of a harsh environment. Our 2000 series door and window system is constructed of a bronze extruded alloys that can withstand the elements of a salty ocean climate  being pounded by sand and salt spray all day long. This system has also been designed and engineered to meet test requirements of Dade County, Florida.  That makes this system able to be used in areas where there is a high potential for hurricanes. Our current window system can withstand loads up to 70 pounds per square foot.

Bronze Doors - Private Residence, Naples, FL

Bronze Doors & Transom - Private Residence, Naples, FL

Just think you can now have a window system that needs virtually no maintenance. Typically no painting is done on the bronze, it is provided to clients in a variety of colors, light, medium and dark bronze along with a verdigris color. These colors are all natural and will continue to patina and color naturally.  Because of testing, this door and window system does not need to be shuttered during times of hurricane or hurricane season.

Bronze Door & Transom - Private Residence, Naples, FL

Bronze Door & Transom - Private Residence, Naples, FL

The greatest benefit in using Historical Arts and Casting as a door and window manufacturer is their ability to provide a traditional looking system with historical hardware, narrow site lines, and true divide lights.

An example of the custom hardware Historical Arts & Casting can manufacture.

An example of the custom hardware Historical Arts & Casting can manufacture.

Historical Arts and Casting would be happy to help you with your custom door and window design needs along with providing any special testing requirements.

It is “All In the Family”

August 31st, 2010 by Dave Teague

Many of the projects that HACI has contributed to have required a diverse collection of light fixtures. It can be important to the designers and owners of these projects to have a variety of different types of lights fixtures for different situations, such as posts, sconces, pendants, pedestals etc., but they generally require that the different configurations all are centered around a common theme or design element. We call these groupings light fixture “families.” While HACI has designed and made several “one-off” light fixtures which are not part of an extended family of fixtures, it is also common for HACI to develop a family of fixtures for a specific project.

Saks Department Store - Bronze Wall Bracket Lantern (LF083)

Saks Department Store - Bronze Wall Bracket Lantern (LF083)

Just as in the world of people, a family can consist of only two members. For example, a number of years ago, HACI was consistently making light fixtures for Saks Fifth Avenue. Whenever a new store was being built, there was a need for at least two wall mounted light fixtures and a pendant fixture. HACI produced both types of these fixtures for the project and thus the family for that project had only two members.

There have been other projects which required a much more extended family. A good example of this type of project is the Grand America Hotel in Salt Lake City, UT. HACI designed and built the bronze exterior light fixtures for this project. The fixture types included three different scales of lantern heads with chandelier, pedestal, post, and wall bracket assemblies.

5 of the Different Variations of Bronze Light Fixtures Found at the Grand America Hotel in Salt Lake City, Utah

5 of the Different Variations of Bronze Light Fixtures Found at the Grand America Hotel in Salt Lake City, Utah

Residential projects are often enhanced by treating the light fixtures as families as well. One residence, in particular, which is located in Connecticut, utilized a family of fixtures of three different scales and five different configurations. The fixtures’ design helped to unify the various exterior spaces of which the project was comprised.

Careful consideration of a few variables can help in the development of a light fixture family:

  • Purpose: What is the purpose of the light fixture in this location? If the purpose is significantly different from the purpose in a different location, perhaps a new family member is warranted.
  • Scale: What other elements of the project are around this light fixture? Will a fixture at the same size in this location be drowned out against the background, or will it be too large? Perhaps a new scale of fixture is required in this location.
  • Detail: Will a fixture is this location be required to make more (or less) of a statement than a fixture in another location? Is this location more prominent and thus would require a fixture with more detail?
  • Location: Does the location of the fixture demand a new family member?

Because Historical Arts’ capabilities include everything from design through pattern making, manufacturing and finishing all under one roof, it is uniquely positioned to help in the consideration of all of these factors. HACI stands ready to offer any aid necessary to develop fixtures and fixture families from projects of any size. Some additional fixture families from HACI’s past are highlighted below.

  • Ritz Carlton Kapalua, Maui – (LF026, LF027, LF028, LF029, LF030, LF031)
  • Private Residence – (LF036, LF037, LF038)
Los Angeles Central Library, Los Angeles, CA - Bronze Light Fixtures

Los Angeles Central Library, Los Angeles, CA - Bronze Light Fixtures

  • Los Angeles Central Library – (LF040 – LF61)
  • Private Residence (and Hotels) – (LF064, LF065, LF131, LF132, LF133, LF134, LF135)
  • Private Residence – (LF084, LF085, LF086, LF086a, LF154)
  • Various Projects – (LF001, LF107, LF107a, LF107b, LF107c)
  • Co-op Lobby – (LF112, LF113, LF114)
  • Private Residence (LF151, LF152, LF153)
  • Private Residence (LF161, LF162, LF163, LF164)